Thread:Hackey5/@comment-17897872-20150707194633/@comment-5645428-20150717143125

Woah, woah, woah, let's cut this all right there!

primetime, you are telling me that that is you playing Lieberstraum no. 3?! Holy crap, man! That thing is crazy-psycho, and damn well I need to know everything you've got on that slice because it is among the utter pinacles of piano composition and just... wow. Mate, give me the full run through, because down in Australia we ain't the most dilligent bunch of fellows out and all to often time-wasting is called 'chilling', so you can understand why I'm a few years down the line and have yet to achieve that standard of excellence required for that fantastical piece. I mean, I can play parts of it, some hands together, some hands separate, and my hands can reach a tenth, so I've got some welcome proportions on hitting some of the tighter chords. Coordination is coming along, but, well, how many months later of how many hours a week does it take? And that first transition sections, yes, that one Liszt probably added in there just to screw over anyone less than professional, how on earth do you actually get your right hand rolling that speed? Practise... ehh, surely there's more technicals involved there. Damn, the whole thing is technical and can get really fidgety, playing two voices with the one hand like no one's business, and the uneducated listener wouldn't know any better. That's how freaking awesome the piece is, and how I long for the satisfaction of domination over it, be it, years from now, but I am after the bugger and will have it tied down!

primetime, you are now my main man here. Please, tell me how it is done. ^-^